Camera Shots And Angles.

Establishing Shots
Sets up or establishes the setting of a scene it is typically at the beginning of a movie or scene what this does is it creates the effect of it being there and what it does is it shows the whole scene , the whole thing for example when a show from the vertical limit what it does is it show the whole desert where its set.
Close Up Shot
What this does is it show the closeness of the whole face and what it also does is it shows emotion and how their paralinguistic feature to embed what he is feeling and so on , it also tight frames someone and what it also does is it shows detail and so on.
Medium Shot
This is shot from knees up from a medium distance what this does is it normally shows more body detail and less specific features what this also does is it helps show your body language.
Long Shot
Shows the entire figure or object in often relation of its surrounding usually used in action movies where you see the object from far which can create suspense and foreshadows what happens next for example a race car scene in a action movie and its moving down and its from far it makes it more exciting as its from far.
Tracking Shot
What this does it follows the action and has a fixed view on it as its still moving , it makes the characters objects on screen
Aerial Shot
Shows the entire image from a high position sometime referred to as bird's eye view shot this creates the effect such as a explosion it will look more real and give you the feelings to feel that you are there.
Tilting Shot
Tilting is a cinematagrophic technique in which the camera is stationary and rotates in a vertical plane (or Tiliting plane). A rotation in a horizontal plane is known as planning , Tilting the camera results in a motion similar to someone nodding their head "yes" or to an aircraft performing a pitch rotation
 (cinematagrophic -  is the making of lighting and camera choices when recording photographic images for cinema. It is closely related to the art of still photography. Many additional technical difficulties and creative possibilities arise when the camera and elements of the scene may be in motion.